
Courtesy Gunther W. Holtorf/Falk and Melway Publishing

Author's photograph
See Peter Nas's (2003) edited collection on Indonesian cities for a set of essays that represent both tendencies. His introduction to the volume usefully summarises some of the principal strands in the analysis of urbanism in Southeast Asia, and Indonesia in particular.
Lynch's project sits in the middle ground of the postwar urban design discourse, which in one way or another, sought to bring social, subjective and psychological themes to bear on more technical or formal conceptions of the city.
Lynch's concern for socio-psychological consequences of urban infrastructures and forms suggests certain affinities with Situationist psycho-geographics of the 1950s. But his restrained academic approach eschews the radical aura and alter-potentialities of that project. In terms of his contemporaries, Lynch might, on the one hand, be contrasted with a figure such as Aldo van Eyck who—drawing inspiration directly from the situationist avant-garde—formulated a theory of inter-related socio-psychological 'forms' and architectural 'counter-forms' (Strauven 1998). On the other hand, he might be aligned with someone like Gordon Cullen who promulgated the notion of townscape as an 'art of relationship' activated by the peripatetic gaze of urban subjects (Cullen 1971). Lynch, like Cullen, pitched his work as moderate, reasonable and systematic. His openly determinist attitudes towards architectural and urban research gave his work a strong programmatic and operational thrust.
This moderate programmatic character—as distinct from the avant-garde and assertively contestatory urban speculations of Guy Debord, Asger Jorn, Constant and others (see Sadler 1998)—made Lynch's work attractive to a mainstream planning, urban design and architecture discourse which sought guidance and inspiration in the aftermath of the discrediting of CIAM-endorsed modernism. This facilitated the wide circulation and acceptance of the idea that rapidly changing urban conditions demand the invention of new representational strategies and, furthermore, that socio-psychological dimensions of urban life were integral to this. Evidence for this might be sought in the now orthodox status of subject-centred urban design and planning processes that attempt to operationalise design through the deployment of user-studies, social surveys, focus groups, and a host of community participation techniques.
This essay explores some of the challenges that new and emerging urban forms pose to western theories of urbanism and urban representation. In particular, it examines regions on the fringes of the extended metropolitan region around the city of Jakarta, Indonesia, through the framework of 'urban legibility' as it was proposed by Kevin Lynch in his important book, The Image of the City (1960). The Lynchian conceptual framework stands for a particular thread within a wider body of postwar urban theory. It is transposed to Jakarta in order to simultaneously test its limits as an explanatory framework, and explore its potential to thematise new kinds of urban legibility.
The essay argues that the humanist underpinnings of the Lynchian project quickly break down in this transposition experiment. At the same time it suggests that the creative drive to generate new forms of representation that lie...
To view this entire essay you will need to purchase the eBook
© 2009 Universitas 21 LBG | Contact Us | FAQ | Terms and Conditions

